This is an open-ended blog ranging from news about my latest gigs and publications
to ruminations about politics, world affairs, culture and whatever piques my interest—or ire.
Contact: tomsancton@yahoo.com

Wednesday, April 30, 2014

WHEN KID ORY SHOOK OUR HANDS, 1971

Kid Ory, surrounded by (l to r) Bonnie Bagley, Jim Klippert, Tommy Sancton
Jazzfest 1971 was an unforgettable occasion for me. My Boston-based Black Eagle Jazz Band was invited to play at the second Jazzfest. We had just recorded for Sire Records (the album eventually came out on the NBEJB label) and were thrilled by George Wein's invitation to play in New Orleans. Three of us almost missed the plane from Boston, arriving at the Jung Hotel at the last minute. We rushed onstage and played our hearts out for an hour and a half. The audience was enthusiastic, and I remember festival producer Wein jumping up and playing with us on the last few numbers. We played "Ice Cream" as en encore and got a standing ovation. As we left the stage, we received an unexpected honor: the legendary Edward "Kid" Ory, who'd been listening from the front row, came up and congratulated us on our performance. As I shook his hand, I marvelled at the thought that he had shaken hands and played with Louis Armstrong, Johnny Dodds, King Oliver, virtually the whole Pantheon of early jazz legends. The moment has lingered in my memory ever since, part myth, part dream, part…did that really happen? Last month during French Quarter festival, I met a man named Dick Hill who not only remembered the moment, but had photographed it. I just received his prints from this memorable occasion. God! The memories, the memories...

Sunday, April 27, 2014

N.O. LEGACY BAND REVIEWED IN THE ADVOCATE


Nice review of our Jazzfest set on Saturday, April 26. Always nice to be appreciated, especially in New Orleans's official daily newspaper: 


TOMMY SANCTON BAND UPHOLDS TRAD LEGACY

BY JOHN WIRT

JWIRT@THEADVOCATE.COM
April 27, 2014


Traditional New Orleans jazz is alive and well at the New Orleans Jazz and Heritage Festival’s Economy Hall Tent. Saturday’s lineup included the Dukes of Dixieland, Treme Brass Band, Don Vappie with his Creole Jazz Serenaders and, one of Preservation Hall’s regular acts, Tommy Sancton’s New Orleans Legacy Band. Sancton is a music professor and performing pro. His introductions to songs included quick music history lessons.

The Legacy Band’s front line starred clarinetist Sancton, trumpeter Clive Wilson and trombonist-singer Lucien Barbarin. Sancton made of point of noting that Barbarin, whose credits include Harry Connick Jr.’s big band, is a member of one of New Orleans’ talented musical families.

Barbarin sang and played his trombone for a charming “Girl of My Dreams I Love You.” Another of New Orleans’ natural entertainers, Barbarin obviously modeled his gravely but warm vocals on those of Orleans jazz pioneer and star Louis Armstrong.

Jason Marsalis, another member of a great New Orleans music family, played the Legacy Band’s drums. He wowed the crowd with his lively, polyrhythmic solo.

— John Wirt

Saturday, April 26, 2014

A HOT TIME IN THE ECONOMY HALL TENT

Had a great time at Jazzfest today. Our New Orleans Legacy Band got a nice reception from the packed house in the Economy Hall tent. Thanks to Clive Wilson, Lars Edegran, Lucien Barbarin, Kerry Lewis, and Jason Marsalis for their stellar performances.  Apart from our own heady moment onstage, I particularly enjoyed the sets of the Shotgun Jazz Band, Don Vappie's Creole Serenaders, Bob Wilbur with Wendell Brunious, and the Tremé Brass Band. There was incredible energy in the tent today, good vibes from the audience, and a lot of hot music from the bands. Standout performances that stick in my mind: Tom Fischer's clarinet solo on the haunting waltz "Abandon," Marla Dixon's vocal on the Buddy Holly ballad "Raining in my Heart," Gregg Stafford's hot trumpet on "Lord, Lord, Lord." Can't wait to return next Friday with Clive Wilson's Serenaders. Keep the faith, y'all!