The gig at Preservation Hall last Sunday was something special. Trumpeter Wendell Brunious led the group and really took charge on the bandstand, calling great tunes, making the announcements, telling jokes, and singing a bunch of songs (including two of his own compositions). He even did the whistling part on Professor Longhair's "When You Go to New Orleans." His trumpet playing was smart, slick, and swinging—at one point he departed from his usual style to imitate the staccato bleats and jabs of Kid Thomas Valentine on "Old Gray Bonnet." Other tunes included "Royal Garden Blues," "Bye and Bye," "Burgundy Street Blues," "When You're Smiling," "Whoopin' Blues," and "Please Don't Talk About Me" (featuring the irrepressible Ronell Johnson on trombone and vocal). A special treat was the piano work of Tom Hook, who also sang three Louis Prima songs from his "Jump, Jive, and Wail" show at the World War II museum. By the end of the night, I was energized and ready to go another three sets. I had so much fun I'm planning to go sit in with Wendell and Tom Hook tonight on their regular Tuesday gig at Dos Jefes on Tchoupitoulas.
Showing posts with label ronell johnson. Show all posts
Showing posts with label ronell johnson. Show all posts
Tuesday, February 18, 2014
JUMPING, JIVING, AND WAILING WITH WENDELL BRUNIOUS
The gig at Preservation Hall last Sunday was something special. Trumpeter Wendell Brunious led the group and really took charge on the bandstand, calling great tunes, making the announcements, telling jokes, and singing a bunch of songs (including two of his own compositions). He even did the whistling part on Professor Longhair's "When You Go to New Orleans." His trumpet playing was smart, slick, and swinging—at one point he departed from his usual style to imitate the staccato bleats and jabs of Kid Thomas Valentine on "Old Gray Bonnet." Other tunes included "Royal Garden Blues," "Bye and Bye," "Burgundy Street Blues," "When You're Smiling," "Whoopin' Blues," and "Please Don't Talk About Me" (featuring the irrepressible Ronell Johnson on trombone and vocal). A special treat was the piano work of Tom Hook, who also sang three Louis Prima songs from his "Jump, Jive, and Wail" show at the World War II museum. By the end of the night, I was energized and ready to go another three sets. I had so much fun I'm planning to go sit in with Wendell and Tom Hook tonight on their regular Tuesday gig at Dos Jefes on Tchoupitoulas. Monday, November 11, 2013
A MEMORABLE NIGHT AT PRESERVATION HALL—AND A ROB RYAN SIGHTING AT MS MAE'S
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| Photo © 2013 by Sébastien Chaillot |
Torn between my musical obligations and my devotion to the Saints, I kept ducking out during the breaks to watch the Saints-Cowboys game in the bar across the street. Every time I poked my hear in there, Drew Brees had thrown another touchdown pass. When I went over there after the last set, I couldn't believe the final score of 49-17. I got a little Saints lagniappe on my drive home: at the corner of Magazine and Napoleon, I spotted the Saints' silver-locked defensive coordinator Rob Ryan heading into the door of Ms Mae's all-night bar. Apparently this has become a ritual for Ryan after Saints home games. May he continue to have cause to celebrate.
Labels:
drew brees,
jazz,
lars edegran,
ms mae's,
New Orleans,
preservation hall,
rob ryan,
ronell johnson,
Saints,
superdome
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